

What if a neurodivergent teenager who feels voiceless and abandoned could meet the myths that taught the world to dream big?
By pairing a contemporary story of resilience with the vast mythology surrounding Alexandros, a fascinating historical figure, the play explores themes like friendship, loyalty, love, as well as identity, resilience and empowerment.
The young Cosmo’s journey is deeply personal yet universally resonant. It is the experience of many young people who feel labeled, silenced, or unseen and often struggle (alone) with mental health issues.







BOOK & LYRICS
Elizabeth Filippouli is a playwright with a passion for works that reimagine iconic historical and cultural figures through contemporary musical and dramatic storytelling.
Her plays include MARIA/La Callas -The Return, inspired by the incredible life of Maria Callas, ALEXANDROS the Musical and Alexander the Great: Between Drea
BOOK & LYRICS
Elizabeth Filippouli is a playwright with a passion for works that reimagine iconic historical and cultural figures through contemporary musical and dramatic storytelling.
Her plays include MARIA/La Callas -The Return, inspired by the incredible life of Maria Callas, ALEXANDROS the Musical and Alexander the Great: Between Dreams and Imagination, a play she adapted for the British Library in 2023, offering a fresh theatrical perspective on one of history's most enduring figures. In 2024, she served as Executive Producer of Fabulous Creatures at London's Arcola Theatre. ALEXANDROS is her debut musical, marking her first work as both book writer and lyricist.
As part of her philanthropic work Elizabeth is the Founder of Global Thinkers Forum, an international nonprofit dedicated to empowering young leaders and women through mentoring and education. She has served on the International Advisory Board of The King's Trust International.
Her book From Women to the World: Letters for a New Century was published by Bloomsbury in the UK and the US in 2021. A Harvard graduate (ALM in Creative Writing 24) , she holds degrees from the University of Oxford's Saïd Business School, City University of London and Harvard Kennedy School '04.

MUSIC
Sir Dirk Brossé, born in Gent, Belgium, is a multi-faceted award winning composer and a respected conductor on the international music scene. Since 2010 Music Director of The Chamber Orchestra of Philadelphia. He is currently Music Director of the World Soundtrack Awards at Ghent Film Festival, honorary conductor of Sinfonietta Crac
MUSIC
Sir Dirk Brossé, born in Gent, Belgium, is a multi-faceted award winning composer and a respected conductor on the international music scene. Since 2010 Music Director of The Chamber Orchestra of Philadelphia. He is currently Music Director of the World Soundtrack Awards at Ghent Film Festival, honorary conductor of Sinfonietta Cracovia and music director of Prima La Musica.
Dirk has written some 1850 works, including concerti, oratorios, lieder, chamber music, symphonic works, 14 musicals and over 50 film and TV scores. His score for the BBC/HBO series Parade's End was nominated for an Emmy Award. Dirk Brossé has made more than 120 CD recordings and has collaborated with world-class artistes such as José Van Dam, Barbara Hendricks, Julia Migenes, Julian Lloyd Webber, Salvatore Accardo, Alison Balsom, Hans Zimmer, Emma Thompson, Randy Crawford, Lisa Gerrard and Marcel Khalifé.
Maestro Brossé has conducted over 120 orchestras all over the world such as London Symphony Orchestra, Vancouver Opera, l’Orchestre de la Suisse Romande, Camerata St Petersburg, Hong Kong Philharmonic, Philharmonic Orchestra of Shanghai. In 2008 he made his first appearance at the Royal Albert Hall in London. In 2016 he made his debut at the Carnegie Hall New York.

DRAMATIC EXPERIMENTATION
For more than four decades theatre historian and writer Dr Anthony Stevens taught literature and theatre, firstly in England, at De Monfort University, and then in Greece, in the International Baccalaureate section of the Moraitis School, at La Verne University Athens, and at the International Centre for Hellenic
DRAMATIC EXPERIMENTATION
For more than four decades theatre historian and writer Dr Anthony Stevens taught literature and theatre, firstly in England, at De Monfort University, and then in Greece, in the International Baccalaureate section of the Moraitis School, at La Verne University Athens, and at the International Centre for Hellenic and Mediterranean Studies.
During this time, he wrote, devised and directed many plays, with work performed throughout Britain, as well as in Australia, Greece and Lebanon.
He has worked in a wide variety of theatrical genres, including exploring ways of staging 'lost' Greek tragedies of which only fragments remain. He retired from teaching to devote himself to writing. His notable work includes ‘How Plays Tell Stories: Studying Drama as Literature’ and ‘How to Write a Greek Tragedy’. His often highly experimental work, mixes elements from different genres and epochs with a critical approach to theatrical performance.

Unro Janchiv is a London-based producer, creative industries entrepreneur and cultural strategist with 20+ years’ experience developing and delivering film, theatre and cultural projects connecting Mongolia, the UK and Europe. She is Founder & CEO of Great Diplomacy Ltd.
Unro served as Honorary Cultural Envoy of Mongolia to the UK (2015–2
Unro Janchiv is a London-based producer, creative industries entrepreneur and cultural strategist with 20+ years’ experience developing and delivering film, theatre and cultural projects connecting Mongolia, the UK and Europe. She is Founder & CEO of Great Diplomacy Ltd.
Unro served as Honorary Cultural Envoy of Mongolia to the UK (2015–2026), building extensive relationships across the UK and international creative sectors, including with the BBC and Arts Council England, as well as governmental and cultural institutions in both countries. She has curated and produced 70+ projects and events spanning film, music, opera, fashion and live performance.
Her producing portfolio includes the 2024 Turandot opera, featuring full Mongolian costume and Mongolian performers, and an international fashion showcase representing 17 embassies in London — both incorporating screen elements into their productions. A short documentary created around Turandot was subsequently presented at the United Nations General Assembly in New York, extending the project’s reach onto an international stage.
Recommended by the Embassy of Mongolia in London, Unro served as Co-Producer of The Mongol Khan at London’s prestigious Coliseum in 2023, before its hugely successful international tour.
Her screen credits include The Medicine Buddha, Marco Polo and Waiting for the Barbarians. The Medicine Buddha received a Mongolian Academy Award, ans is currently in development. Her current development slate includes the musicals Hurd (2026) and Alexandros (2030).
Selected for the 2026 BFI-funded Screen Launchpad cohort, Unro is further developing her slate and practice as an international screen producer and screen enterprise owner.
Unro combines deep Mongolian cultural knowledge with an established UK and international network and hands-on producing experience — developing distinctive cross-border stories, building creative partnerships and bringing ambitious projects to international audiences.

Paul Benney has worked as an artist and musician in both the U.S and U.K. and is represented in public collections world wide including The Metropolitan Museum of Art, The National Callery of Australia, The National Portrait Gallery, The Royal Collection, The Eli Broad Foundation, AIG Houston, and Standard Life. Benney has twice won the p
Paul Benney has worked as an artist and musician in both the U.S and U.K. and is represented in public collections world wide including The Metropolitan Museum of Art, The National Callery of Australia, The National Portrait Gallery, The Royal Collection, The Eli Broad Foundation, AIG Houston, and Standard Life. Benney has twice won the public choice award in the BP Portrait Awards and has been short listed on two occasions. In 2013 he was invited to be one of the judges for the Threadneedle prize at the Mall Galleries.

"I am passionate about stories that speak to the hearts of young people who feel invisible or give their own battles. Maybe it is a request from my younger self who struggled to belong as a teenager. We all need stories that open paths to inner healing, free expression and embracing life with excitement and joy!"
Elizabeth Filippouli
Writer & Lyricist
"I’ve always been fascinated by Ancient Greece and the figure of Alexander the Great.
There was something very charming and human about him. This story is now approached from a whole new perspective! Musically it is a blend of contemporary musical theatre with Mediterranean, Middle Eastern, and orchestral textures."
Sir Dirk Brossé
Composer
'A provocation to re-thinking: somewhere between historical fact, myth, dreams and imagination, or in their interplay, we might begin to recognise not some supposed ‘essential nature’ of Alexander’s greatness but a new inflection of it.'
Anthony Stevens
Theatre Historian/Dramaturg
HADESTOWN meets The Curious Incident of the Dog
in the Night-Time with the sweep of Akhnaten!
"Just unbelievable!"
'I loved the multifaceted part of it!'
"It takes you into this extraordinary in-between land!"
'A must-see!'
Music: Dirk Brossé - Lyrics: Elizabeth Filippouli
Artists: Lauwereins An, Nando Tilkin, Nino Ameye
Piano: Pietro Ramman

One in seven 10-19-year-olds experiences a mental disorder.

The consequences of failing to address adolescent mental health conditions extend to adulthood, impairing both physical and mental health.
-World Health Organization (WHO)

Depression, anxiety and behavioural disorders are among the leading causes disability among adolescents.
